Stig Evans approaches painting as both a formal and conceptual endeavour, with a particular interest in the qualities and mechanisms of perception. His work often operates in an optical and illusional register, questioning how judgments are formed in relation to what we see. Grounded in direct observation yet informed by a broad range of references—including photography, found imagery, music, poetry, art, architecture, and design—his abstract and minimalist practice examines the processes through which images are constructed, perceived, and interpreted.